Dr. Brian Wright co-edited the special issue, Looking Towards the Future: Popular Music Studies and Music Scholarship, in the journal Twentieth-Century Music.

Robert Anderson has won the Karl Geiringer Scholarship from the American Brahms Society in support of his PhD dissertation, “Ideale Hausmusik”: Johannes Brahms’s Vocal Quartets (opp. 31, 52, 64, 65, 92, 103) and the Politics of Domestic Music."

Dr. Brian Wright revised the article, "Electric Bass Guitar," in Grove Music Online.

Please join us for lecture by Dr. Christa Bentley (Oklahoma City University) entitled "'You Probably Think This Song Is About You': The Feminist Political Resonances of 1970s Confessional Song." The lecture is free and open to the public. Please contact Camille Langlinais for more information.

Brian Wright published an article entitled "Jaco Pastorius, the Electric Bass, and the Struggle for Jazz Credibility" in the Journal of Popular Music Studies. In addition, he co-authored a conference report in the same volume. For more information, click here.

Hendrik Schulze and Sara Elisa Stangalino published a critical edition of Francesco Cavalli's opera Xerse (1655) with Bärenreiter Press.

Kimary Fick (PhD, Musicology, 2015), published her article, "Feeling the Feminine, Forming the Masculine: Amateur Male Musicians and the Flute Sonatas of Anna Bon di Venezia (1738–?)" in Women and Music: A Journal of Gender and Culture 24 (2020).

Clare Carrasco (PhD, Musicology, 2016) published her article, "The Unlike Pair: Impressionism, Expressionism, and Critical Reception of Schoenberg and Schreker’s Chamber Symphonies," in the Journal of Musicology 37/2 (2020).

Jessica Stearns (PhD, Musicology) was awarded a short-term fellowship from the New York Public Library to conduct archival research in the library's Christian Wolff Papers for her dissertation, "Indeterminate Music and the City: A Context for Christian Wolff's Notation."

At the American Musicological Society Annual Meeting, Prof. Rebecca Dowd Geoffroy-Schwinden received the M. Elizabeth C. Bartlet grant for research in France, which supported archival research in Paris last summer for her book, From Servant to Savant: Privilege, Musical Property, and the French Revolution (under contract, Oxford University Press).