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Back row: Ellen Bakulina, Paul Dworak, April Prince, Vivek Virani, Rebecca Geoffroy-Schwinden, Samantha Inman Middle row: Cathy Ragland, Steven Friedson, Margaret Notley, Diego Cubero, Peter Mondelli, Stephen Slottow, Bernardo Illari, Timothy Jackson, Frank Heidlberger Front Row: Thomas Sovík, Justin Lavacek, David Bard-Schwarz, Benjamin Brand Not Pictured: Hendrik Schulze (on faculty leave)

Welcome to the Division of Music History, Theory, and Ethnomusicology

The Division of Music History, Theory, and Ethnomusicology is a vibrant contributor to the College of Music. MHTE maintains a full range of academic programs from the bachelor's to the doctorate. In fact, the Ph.D. program, celebrating more than a half-century of activity, was the first in the university. Today more than 70 students are enrolled in its graduate programs.

The division offers the B.A. in Music with an emphasis in Music History; the B.M. in Music Theory, the Master of Arts in Music with concentrations in musicology, ethnomusicology, music theory, and musicology with an emphasis in early music performance; the Ph.D. in Music with concentrations in music theory, musicology, and ethnomusicology.

As a hub of academic activity, the division fosters a wide range of projects and initiatives. Students are encouraged to take advantage of our faculty's vast expertise in historical musicology, theory, and ethnomusicology. Division faculty members have been recognized with significant awards for outstanding teaching, research, service and the promotion of diversity in teaching and across campus. Read More

For additional information about our programs, please contact:

Division Chair:
Frank M. Heidlberger (Frank.Heidlberger@unt.edu)

Area Coordinators:
Justin Lavacek, Interim Coordinator, Music Theory (Justin.Lavacek@unt.edu)
Steven Friedson, Ethnomusicology (Steven.Friedson@unt.edu)
Margaret Notley, Music History (Margaret.Notley@unt.edu)

 

Upcoming Events and Recent News


Monday, February 5, 2018

Rebecca Geoffroy-Schwinden has two recent publications. Her article "A Lady-in-Waiting's Account of Marie Antoinette's Musical Politics: Women, Music, and the French Revolution," was published in Women & Music: A Journal of Gender and Culture. Her book chapter, "The revolution of Jommelli's objets d'art: Bernard Sarrette's requests for the Bibliothèque du Conservatoire," was published by Oxford Studies in the Enlightenment in Moving Scenes: The Circulation of Music and Theatre in Europe, 1700–1815, a collection edited by Pierre-Yves Beaurepaire, Philippe Bourdin, and Charlotta Wolff. In November, she gave a paper entitled "Music as Feminine Capital in Napoleonic France," at the Annual Meeting of the American Musicological Society in Rochester, New York.

Friday, January 26, 2018

Click here to read the story in the NT Daily.

Wednesday, January 24, 2018

Dr. Steven Friedson, University Distinguished Research Professor, and Yuxin Mei, Director of the UNT Chinese Ensemble, received a China Venture Fund Grant to travel to China in Summer 2018 to recruit graduate students in ethnomusicology, investigate potential sites for research, and to scope out venues for a tour of the UNT Chinese Ensemble to China. They will be visiting the China Conservatory of Music, Beijing; Xi’an Conservatory of Music; and the Xing Hai Conservatory of Music in Guangzhou.

The College of Music, under the auspices of the Ethnomusicology Area, initiated the first Chinese Music Ensemble at a Texas university in 2015. Directed by internationally acclaimed pipa (Chinese lute) artist, Yuxin Mei, the ensemble has recently been the recipient of a $25,000 grant, which funded the purchase of high quality, professional Chinese instruments, making the UNT Chinese Ensemble arguably the best equipped ensemble in the United States. As evidence of their growing national stature, the ensemble has been invited to play at the Confucius Institute of Denver for the Chinese New Year celebration in February 2018, and was honored to receive an invitation to participate in the prestigious "China West Lake International Youth Music Festival” in China. 

Fulbright-Hays Doctoral Dissertation Research Award
Friday, October 13, 2017

We are very proud that José R. Torres-Ramos, our first ever ethnomusicology doctoral student at UNT, has been selected for a Fulbright-Hays Doctoral Dissertation Research Abroad (DDRA) Fellowship! José's hard work and commitment have set an excellent standard for all future students in the program.

José will conduct 12-months of dissertation fieldwork in Mexico City and Guadalajara investigating how mariachi performers and audiences construct a lifeworld of musical machismo that indexes a notion of authentic Mexican cultural identity.

In 2016, José was awarded the Presser Graduate Music Award at UNT. His Presser funded project consisted of a three-month performance-research practicum in Mexico including the development of an ethnomusicological praxis for mariachi teaching and performance.

Friday, May 12, 2017

The following ethnomusicology students presented papers at the regional Society for Ethnomusicology-Southern Plains conference on March 4 at UT-RGV in Edinburg, TX:

Graduate Students: Thanmayee Krishnamurthy- “The Vidhushi (Female Musician): Transcending Gender Norms in South Indian Karnatic Music.”Yuxin Mei – “Reinterpreting Pipa Voice: How Contemporary Chinese Female Pipa Performers Reconstruct Power by Negotiating with a Gendered Voice.” Lizeth Dominguez - “No Temo La Muerte: Death as a Construction of Authentic Masculinity in the Narcocorrido.” José Torres – “La Plaza Garibaldi: An Embodied Space of Musical Machismo.”

Undergraduates: Michael Cardenas – “Cumbia Tejana: Synthesis towards Unification in the Tejano Continuum” (also presented at the National Association for Chicana/o Studies Tejas Foco conference at Texas A&M, February 24). Vianey C. Rivera – “Me la quemo: Aesthetic Values within the Working Mariachi.”