Music Theory
Samuel Miyashita (BM, Music Theory and Composition) has won the Presser Undergraduate Scholar Award, which recognizes a rising senior who has shown extraordinary musical and academic accomplishments.
Paper Presentation
Gillian Robertson presented a theory pedagogy paper at the Rocky Mountain Society for Music Theory Conference in El Paso, TX. The paper, "Online Core Music Theory Courses: Pedagogical Challenges and Course Implementation," was on a session devoted to the use of technology in the music theory classroom.
Scales, Skulls, and Sanskrit: The Search for the Origins of Musical Tonality in France, c. 1860
Wednesday, April 3, 2019 - 4:00pm
Music Building, Room 321
Please join us for Thomas Christenen's lecture: Scales, Skulls, and Sanskrit: The Search for the Origins of Musical Tonality in France, c. 1860 on Wednesday, April 3 at 4:00 pm in MU-321. There will be a reception to follow in the Graham Green Room. His visit will include a Panel: The Histories of Music Theory - A Discussion With Thomas Christensen on Thursday, April 4 at 3:00 pm in MU-322. Both the lecture and panel are open to the public.
Paper Presentations
Faculty and graduate students presented at the TSMT (Texas Society for Music Theory) Conference on Feb 22-23 at Texas State Unversity in San Marcos.
Benjamin Graf presented "Motivic Border-Crossing: Continuity Through Formal Divisions"
David Heetderks presented: "Fractured Tonal Narratives in Early R.E.M."
Stephen Slottow presented: "North American Adaptations of Zen Chanting: Four Strategies"
Brian Anderson presented “Gratuitous Repetition and Formal Function in Scarlatti’s Sonatas”
Bryan Stevens presented “Theorizing Sonata Form from the Margins: The Spanish Keyboard Sonata from 1744 to c. 1790”
Levi Walls presented “Composing out Notre-dame: How Louise Bertin Musically Represents the Hugolian Themes of Fate and Decay in La Esmeralda”
Past, Yearning, and Fantasy: Interpreting Musical Nostalgia
Wednesday, March 20, 2019 - 4:00pm
Music Building, Room 321
Please join us for Gillian Robertson's lecture "Past, Yearning, and Fantasy: Interpreting Musical Nostalgia" on Wed, March 20 at 4:00 pm. There will be a reception to follow in the Graham Green Room. This event is free and open to the public.
Domenico Scarlatti, Escape Artist: Sightings of His 'Mixed Style' Towards the End of the Eighteenth Century.
Friday, September 28, 2018 - 4:00pm
Room 258
Dr. Janet Schmalfeldt gave her lecture "Domenico Scarlatti, Escape Artist: Sightings of His 'Mixed Style' Towards the End of the Eighteenth Century."
Cheryl Bates (PhD, Music Theory, dissertation advisor: Frank Heidlberger) was hired on a tenure track position for elementary music education at Henderson State University, Arkadelphia, Arkansas
Paper Presentation
Frank Heidlberger presented a paper, Instrumental Music at the Accademia in Verona around 1590 – Modes of “Conversazione,” at the 18th Biennial International Conference on Baroque Music, University of Pavia, Institute of Musicology, Cremona Campus (Italy), July 12, 2018.
Paper Presentations
Gillian Robertson gave a paper entitled, “Rachmaninoff’s Nostalgic ‘Second’ Movement of Rhapsody on a Theme of Paganini, Op. 43,” at the Texas Society for Music Theory’s 40th Annual Conference, held at Dallas Baptist University in February. She presented a theoretical framework for interpreting moments of nostalgia in music using Op. 43 as a case study. Gillian will also be presenting the paper later this month in Hattiesburg, MS at the Annual South Central Society for Music Theory Conference.
Paper Presentations
Benjamin Graf gave a guest lecture entitled "Schenkerian Theory: A Comparison of Analytical Approaches and Perspectives" at Dallas Baptist University on February 8. He also presented a paper entitled "Unresolved Six-Four Chords in Beethoven" at the Texas Society for Music Theory Conference on February 23-24.
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