Associate Professor of Music History
BA, Columbia University; PhD, University of Pennsylvania
Specialist in nineteenth-century music, French opera, media history, and critical theory.
Prof. Mondelli has served on the faculty at UNT’s College of Music since 2012. His main research projects consider the impact of print culture and bourgeois capitalism on nineteenth-century Parisian opera. Other areas of interest include oral song culture in the late eighteenth-century, early music and musicology in fin-de-siècle France, and the relationship between music studies and the posthumanities.
“Offenbach’s Bouffonnerie, Wagner’s Rêverie: The Materiality and Politics of the Ineffable in Second Empire Paris” in Opera Quarterly vol. 32, no. 2 (forthcoming, 2017)
“Parisian Opera between Commons and Commodity, ca. 1830” in Consuming Music: Individuals, Institutions, Communities, 1730-1830, ed. Emily Green and Catherine Mayes (Rochester, NY: University of Rochester Press, 2017)
“The Phonocentric Politics of the French Revolution” in Acta Muscologica vol. 88, no. 2 (2016)
“The Sociability of History in French Grand Opera: A Historical Materialist Perspective” in 19th Century Music vol. 37, no. 1 (2013)
Recent Conference Presentations
“Music and the Posthuman: A Critical Reconsideration” (2017)
“Der Freischütz, Robin des bois, and the Cosmopolitan Aesthetics of Translation” (2016)
“Censoring Rossini’s ‘musique facile’” (2016)
“Warfare and Opera as Spectacle in the Parisian Press, 1852-1870” (2016)
“Faust at the Piano: The Social Economy of Opera in the New Domestic Sphere” (2014-15)
“The Thingness of French Wagnerism” (2012-13)
“Véron, Schlessinger, and the Commodification of French Grand Opera” (2012-13)